the predetermined hour\nclock trick, selection divined, hour predicted as card value, including four impromptu versions\nedward marlo\nthe predetermined hour\nedward marlo\neasy-determined hour\nwilliam zavis
1971
Edward Marlo
|
The Predetermined Hour
|
VariationsAlso published here |
Vol. 1, No. 1 |
1971
|
1
|
|
another elevator\nthree cards\nedward marlo\nkabbala elevators\nallan ackerman\nelevator repair\ndaryl martinez
1971
Edward Marlo
|
Another Elevator
|
Related to |
Vol. 1, No. 1 |
1971
|
2
|
|
three as ace misshow\n\n unknown
1971
Unknown
|
Three as Ace Misshow
|
Vol. 1, No. 1 |
1971
|
2
|
|
up the sleeve again\ncard in sleeve appears on pack, in sleeve is now selection, new handling\nwilliam zavis\nup his sleeve\n unknown
1971
William Zavis
|
Up the Sleeve Again
|
Inspired by |
Vol. 1, No. 1 |
1971
|
3
|
|
ten paces to the right\nselection ten cards away from face-up ten spot, faro (see page 8 for non-faro suggestion by j. stewart smith), see page 16 for correction\nroy walton\nmarlo on the christ force\nedward marlo\nhenry christ
1971
Roy Walton
|
Ten Paces to the Right
|
Inspired by |
Vol. 1, No. 1 |
1971
|
4
|
|
the gypsy switch\nswitching small item when wrapping it in handkerchief, for credits and sources see page 24\ng. w. hunter\ngypsy switch inflation cent\njerry mentzer\nthe gypsy switch\ng. w. hunter
1971
G. W. Hunter
|
The Gypsy Switch
|
VariationsAlso published here |
Vol. 1, No. 1 |
1971
|
5
|
|
easy thievery\nthieves and sheep handling, two copper/silver coins, see page 16 for credits\nmarvin johnson
1971
Marvin Johnson
|
Easy Thievery
|
Vol. 1, No. 1 |
1971
|
7
|
|
the de-materializing coin\nchinese coin with square hole and half dollar with round hole transpose, then holes transpose\nroland hurley\nsignature transposition\nedward marlo
1971
Roland Hurley
|
The De-Materializing Coin
|
Inspired by |
Vol. 1, No. 2 |
1971
|
9
|
|
still avid\ncolor changing back kicker\nmike rogers
1971
Mike Rogers
|
Still Avid
|
Vol. 1, No. 2 |
1971
|
10
|
|
tilt subtlety\nstriking center cards, often credited to schwarzman\ncharles aste jr.
1971
Charles Aste Jr.
|
Tilt Subtlety
|
Vol. 1, No. 2 |
1971
|
10
|
|
for the unambitious\nrelated to "coming up in the world", see correction on page 34\nedward marlo\nbikes peek\nsteven youell
1971
Edward Marlo
|
For the Unambitious
|
Related to |
Vol. 1, No. 2 |
1971
|
11
|
|
marlo one-hand crimp\nbottom left corner with base of thumb\nedward marlo
1971
Edward Marlo
|
Marlo One-Hand Crimp
|
Vol. 1, No. 2 |
1971
|
12
|
|
placement control\ncrimp, basically tabled version of vernon's placement\nedward marlo\nkey card placement\ndai vernon
1971
Edward Marlo
|
Placement Control
|
Inspired by |
Vol. 1, No. 2 |
1971
|
13
|
|
pull down substitute\nthumb base\nedward marlo
1971
Edward Marlo
|
Pull Down Substitute
|
Vol. 1, No. 2 |
1971
|
13
|
|
the farcical force\nbold\neddie fields
1971
Eddie Fields
|
The Farcical Force
|
Vol. 1, No. 2 |
1971
|
13
|
|
working against time\negg timer with miniature card on bottom used, card under egg timer change into selection with "the card under the timer" line\nsam schwartz\ndropsy diddle\neddie fields\nthe lucky coin\nroberto giobbi
1971
Sam Schwartz
|
Working Against Time
|
Related to |
Vol. 1, No. 2 |
1971
|
14
|
|
the cannibal cards\nroutine claimed by wesley james, see references\nmatt corin\nkannibal kings & koins\nwesley james\nthe fulves material\nwesley james
1971
Matt Corin
|
The Cannibal Cards
|
Related to |
Vol. 1, No. 2 |
1971
|
15
|
|
six to one\nsix coins put in hand transform into one different coin, clip\nmike rogers
1971
Mike Rogers
|
Six to One
|
Vol. 1, No. 3 |
1971
|
17
|
|
modified aaronson-rollins coin clip\n\nsam aaronson\nwalter rollins\nmike rogers
1971
Sam Aaronson, Walter Rollins, Mike Rogers
|
Modified Aaronson-Rollins Coin Clip
|
Vol. 1, No. 3 |
1971
|
17
|
|
lapping move\nitem "parked" on table\nmike rogers
1971
Mike Rogers
|
Lapping Move
|
Vol. 1, No. 3 |
1971
|
18
|
|
second power poker & lead-in\naces travel to top, odd-backed aces stacked in deck, transform into royal flush (that now has odd backs) and others get good hands (power poker originally talisman 1/11)\ndavid solomon\n"the colorful demonstration" (ron ferris, linking ring, jan. 1969)\npower poker\nmichael skinner
1971
David Solomon
|
Second Power Poker & Lead-In
|
Inspired by |
Vol. 1, No. 3 |
1971
|
18
|
|
incomplete faro transposition\ncard peeked in upper half is secretly transferred to lower half, three methods\nedward marlo\noptional center card transfer\nedward marlo
1971
Edward Marlo
|
Incomplete Faro Transposition
|
Related to |
Vol. 1, No. 3 |
1971
|
20
|
|
incomplete faro fingertip tenkai steal\ncard peeked in upper half is stolen\nedward marlo
1971
Edward Marlo
|
Incomplete Faro Fingertip Tenkai Steal
|
Vol. 1, No. 3 |
1971
|
20
|
|
silent gypsy\nfour copper coins transpose with 4 silver coins, using handkerchief, solid stack\nedward marlo
1971
Edward Marlo
|
Silent Gypsy
|
Vol. 1, No. 3 |
1971
|
23
|
|
slap jack\ntwo face-up jacks far apart travel around selection, two methods\nfather cyprian\nblackjacks\narthur h. buckley
1971
Father Cyprian
|
Slap Jack
|
Related to |
Vol. 1, No. 3 |
1971
|
23
|
|
the o-kort-o box rides again\nstack of half dollars changes into dimes in box, hollow stack, o-kort-o or okito box\nmilton kort
1971
Milton Kort
|
The O-Kort-o Box Rides Again
|
Vol. 1, No. 4 |
1971
|
25
|
|
lead-in ace cutting\n\nedward marlo
1971
Edward Marlo
|
Lead-in Ace Cutting
|
Vol. 1, No. 4 |
1971
|
25
|
|
new theory coins across\ntwo ahead, shell\nroger klause
1971
Roger Klause
|
New Theory Coins Across
|
Vol. 1, No. 4 |
1971
|
26
|
|
fist steal in tenkai pinch\n\nroger klause\nvanish number 2\njerry mentzer
1971
Roger Klause
|
Fist Steal in Tenkai Pinch
|
Related to |
Vol. 1, No. 4 |
1971
|
26
|
|
last-minute departure\n\njon racherbaumer\ninstant departure\nken simmons\npointing the way\nal smith\npoint of departure\nalex elmsley
1971
Jon Racherbaumer
|
Last-Minute Departure
|
Inspired byRelated toVariations |
Vol. 1, No. 4 |
1971
|
28
|
|
delayed atfus\n\nedward marlo
1971
Edward Marlo
|
Delayed Atfus
|
Vol. 1, No. 4 |
1971
|
29
|
|
variations of k. m. move force\nvariations, slip force\nedward marlo\nthe k. m. force\nedward marlo
1971
Edward Marlo
|
Variations of K. M. Move Force
|
Inspired by |
Vol. 1, No. 4 |
1971
|
30
|
|
art altman's handling\nslip force\nart altman\nthe k. m. force\nedward marlo
1971
Art Altman
|
Art Altman's Handling
|
Inspired by |
Vol. 1, No. 4 |
1971
|
31
|
|
marnase false cut\nalso as slip cut\nedward marlo\ns. w. erdnase\nwinnipeg false cut\nmel stover\nthe raised marnase false cut\nedward marlo\ncombi-null cuts\nedward marlo
1971
Edward Marlo, S. W. Erdnase
|
Marnase False Cut
|
Related toVariations |
Vol. 1, No. 4 |
1971
|
32
|
|
pressed between\nsigned card pressed from top to center between sandwich cards\nedward marlo\ncarmen d'amico\ninstant sandwich catch\nharry lorayne\ncarmen d'amico\nedward marlo\ntwo-bit sandwich\nfrank simon
1971
Edward Marlo, Carmen D'Amico
|
Pressed Between
|
Related toVariations |
Vol. 1, No. 4 |
1971
|
33
|
|
deck in parvo\ncase shrinks, for credits for gaff see page 50\nbrother john hamman
1972
Brother John Hamman
|
Deck in Parvo
|
Vol. 1, No. 5 |
1972
|
35
|
|
reversal track\ncard reverses itself and its value is used to count to selection, match occurs along the way\nlin searles\ntwice removed\nroy walton
1972
Lin Searles
|
Reversal Track
|
Related to |
Vol. 1, No. 5 |
1972
|
37
|
|
christ force handling\n\nlin searles
1972
Lin Searles
|
Christ Force Handling
|
Vol. 1, No. 5 |
1972
|
37
|
|
the elusive jacks\nblack jacks change to red jacks, blacks reversed in deck, spectator locates reds again\nedward marlo\nfour-ace opener\nedward marlo
1972
Edward Marlo
|
The Elusive Jacks
|
Inspired by |
Vol. 1, No. 5 |
1972
|
38
|
|
right number\ntwo mates find mate of selection, faro & stay stack\nroy walton
1972
Roy Walton
|
Right Number
|
Vol. 1, No. 5 |
1972
|
39
|
|
the midas touch\ntwo dollars, quarter & dime change into gold coins, purse & 1.35 gimmick\nroland hurley
1972
Roland Hurley
|
The Midas Touch
|
Vol. 1, No. 5 |
1972
|
40
|
|
marlo's phantom deck\nred-blue rough-smooth deck
- first effect: spectator stops at only odd-backed card, open prediction with backs
- second effect: thought of card has odd back
- third effect: touched card has odd back\nedward marlo
1972
Edward Marlo
|
Marlo's Phantom Deck
|
Vol. 1, No. 6 |
1972
|
43
|
|
face-up classic force\nany touched card is odd-backed\n unknown
1972
Unknown
|
Face-up Classic Force
|
Vol. 1, No. 6 |
1972
|
44
|
|
double out\nnamed card is either missing or odd-backed\nedward marlo
1972
Edward Marlo
|
Double Out
|
Vol. 1, No. 6 |
1972
|
45
|
|
impromptu x-ray deck\nfour selections returned to deck, performer names them, two methods, inspired by daley's "electronic vision" (linking ring, april 1951)\nedward marlo
1972
Edward Marlo
|
Impromptu X-Ray Deck
|
Vol. 1, No. 6 |
1972
|
45
|
|
one spectator d.m.\n\nedward marlo
1972
Edward Marlo
|
One Spectator D.M.
|
Vol. 1, No. 6 |
1972
|
47
|
|
to set up\ncombination of two referenced bill simon effects\nedward marlo\nbill simon\nthe turnabout\nbill simon\nthe four packet shuffle\nbill simon
1972
Edward Marlo, Bill Simon
|
To Set Up
|
Inspired by |
Vol. 1, No. 6 |
1972
|
48
|
|
for the color blind\ncard with binary marks chosen from one deck is shuffled to top via faros in stacked second deck, badly explained\nedward marlo
1972
Edward Marlo
|
For the Color Blind
|
Vol. 1, No. 6 |
1972
|
49
|
|
tabled transpo plus\ntwo copper 1 silver with okito box\nroger klause\nanother tabled transposition\ngene castillon
1972
Roger Klause
|
Tabled Transpo Plus
|
Related to |
Vol. 1, No. 7 |
1972
|
51
|
|
pop up move\n\nedward marlo\nroger klause
1972
Edward Marlo, Roger Klause
|
Pop up Move
|
Vol. 1, No. 7 |
1972
|
52
|
|
underground transposition\n\nbrother john hamman\nthe underground transposition\nbrother john hamman\nfor marlo\ndavid regal
1972
Brother John Hamman
|
Underground Transposition
|
Related toVariations |
Vol. 1, No. 7 |
1972
|
52
|
|
veeser concept\n\nbob veeser\nbrother john hamman
1972
Bob Veeser, Brother John Hamman
|
Veeser Concept
|
Vol. 1, No. 7 |
1972
|
53
|
|
o. henry find\ndeuces sandwich selection, then deuces change into two selections, see also j. k. hartman's way to get into on page 81\nlarry jennings\nruse cull\nedward marlo
1972
Larry Jennings
|
O. Henry Find
|
Related to |
Vol. 1, No. 7 |
1972
|
53
|
|
cut reverse\nfrom royal road\n unknown
1972
Unknown
|
Cut Reverse
|
Vol. 1, No. 7 |
1972
|
54
|
|
x marks the spot\nunknown card is marked with x on back, spectator selects it from face, correction for "x deck" (phoenix #296)\nedward marlo\nx-deck\nedward marlo\nimportant additions & changes to marlo's "x marks the spot"\nedward marlo
1972
Edward Marlo
|
X Marks the Spot
|
Related toVariations |
Vol. 1, No. 7 |
1972
|
55
|
|
right on!\n\ndick jarrow
1972
Dick Jarrow
|
Right On!
|
Vol. 1, No. 7 |
1972
|
56
|
|
21 plus subtlety\nfor correction see reference\nedward marlo\nnouveau 21-card-trick\nedward marlo
1972
Edward Marlo
|
21 Plus Subtlety
|
Related to |
Vol. 1, No. 7 |
1972
|
57
|
|
rough smooth red-blue credits\n\njerry k. hartman
1972
Jerry K. Hartman
|
Rough Smooth Red-Blue Credits
|
Vol. 1, No. 7 |
1972
|
58
|
|
cap & pence handling\n\nmike rogers
1972
Mike Rogers
|
Cap & Pence Handling
|
Vol. 1, No. 8 |
1972
|
59
|
|
the elmsley assembly\n\nbrother john hamman
1972
Brother John Hamman
|
The Elmsley Assembly
|
Vol. 1, No. 8 |
1972
|
61
|
|
they're all alike\nambitious type routine shown, people think they're all the same, but they're all blank\nedward marlo
1972
Edward Marlo
|
They're All Alike
|
Vol. 1, No. 8 |
1972
|
62
|
|
in lieu of the hindoo shuffle\nall alike for full deck\nedward marlo
1972
Edward Marlo
|
In Lieu of the Hindoo Shuffle
|
Vol. 1, No. 8 |
1972
|
64
|
|
s-d location\ntwo phase location\ndavid solomon\nsteve draun\ncard clairvoyant\nhenry christ\nsunken 21\njack parker
1972
David Solomon, Steve Draun
|
S-D Location
|
Variations |
Vol. 1, No. 8 |
1972
|
65
|
|
kick-off switch\ntabled card(s) lapped, palmed card(s) switched in\nedward marlo\nthe kick-off switch\nedward marlo\nwesley james
1972
Edward Marlo
|
Kick-Off Switch
|
Variations |
Vol. 1, No. 9 |
1972
|
67
|
|
coin kick & card change\ncoin lapping vanish or card transformation\nedward marlo\nmike rogers
1972
Edward Marlo, Mike Rogers
|
Coin Kick & Card Change
|
Vol. 1, No. 9 |
1972
|
68
|
|
eidetic change\nsee credit notes on page 67\nedward marlo\neidetic change choroagraphy\nedward marlo
1972
Edward Marlo
|
Eidetic Change
|
Related to |
Vol. 1, No. 9 |
1972
|
70
|
|
herb's variant\nfour cards, with selection that travels into deck\nherb zarrow\nvernon's variant\ndai vernon
1972
Herb Zarrow
|
Herb's Variant
|
Variations |
Vol. 1, No. 9 |
1972
|
72
|
|
twice removed\nfour deuces found by spectator\nroy walton\nreversal track\nlin searles
1972
Roy Walton
|
Twice Removed
|
Inspired by |
Vol. 1, No. 9 |
1972
|
73
|
|
christ force handling\n\nroy walton
1972
Roy Walton
|
Christ Force Handling
|
Vol. 1, No. 9 |
1972
|
74
|
|
ruse cull\nruse to cull control two selections, gemini twins procedure (locatrik) as lead-in for jennings' routine\nedward marlo\nlocatrik\ntheodore annemann\no. henry find\nlarry jennings
1972
Edward Marlo
|
Ruse Cull
|
Inspired byRelated to |
Vol. 1, No. 9 |
1972
|
74
|
|
faro riffle shuffle\ndetailed\nedward marlo
1972
Edward Marlo
|
Faro Riffle Shuffle
|
Vol. 1, No. 10 |
1972
|
75
|
|
editor's prologue\ngeneral comments on the table faro\njon racherbaumer
1972
Jon Racherbaumer
|
Editor's Prologue
|
Vol. 1, No. 10 |
1972
|
75
|
|
card clairvoyant\nimprovement\nhenry christ\ns-d location\ndavid solomon\nsteve draun
1972
Henry Christ
|
Card Clairvoyant
|
Inspired by |
Vol. 1, No. 10 |
1972
|
78
|
|
flight for 3\nthree selections from between aces to between queens in center\nedward marlo\ntaking flight\nroy walton\npre-cannibal cards\nlin searles\nfurther flight\nedward marlo\nsearch flight\njerry k. hartman\nflight for 3, rescheduled\nrobert bengel
1972
Edward Marlo
|
Flight for 3
|
Related toVariations |
Vol. 1, No. 10 |
1972
|
78
|
|
shift spell\nspelling to the aces\nmarvin johnson
1972
Marvin Johnson
|
Shift Spell
|
Vol. 1, No. 10 |
1972
|
79
|
|
doubly open\ngaffed\ndavid solomon\najar-ajar\nstephen tucker
1972
David Solomon
|
Doubly Open
|
Variations |
Vol. 1, No. 10 |
1972
|
80
|
|
ambitious swindle\nhidden use of edward victor's color change\nedward marlo\nmarlo's visible victor change\nedward marlo\ncharlie miller\nedward victor
1972
Edward Marlo
|
Ambitious Swindle
|
Related to |
Vol. 1, No. 10 |
1972
|
81
|
|
zap aces\n\nfred kaps\nchanning pollock\nvariation\ndai vernon
1972
Fred Kaps, Channing Pollock
|
Zap Aces
|
Related to |
Vol. 1, No. 11 |
1972
|
83
|
|
variation\n\ndai vernon\nzap aces\nfred kaps\nchanning pollock
1972
Dai Vernon
|
Variation
|
Inspired by |
Vol. 1, No. 11 |
1972
|
84
|
|
push-in change\n\nedward marlo
1972
Edward Marlo
|
Push-In Change
|
Vol. 1, No. 11 |
1972
|
84
|
|
rouge et noir\nfour red, 4 blacks\nedward marlo
1972
Edward Marlo
|
Rouge et Noir
|
Vol. 1, No. 11 |
1972
|
85
|
|
turning on an audience\nperformer names card that is selected behind his back, three methods/phases\njon racherbaumer
1972
Jon Racherbaumer
|
Turning on an Audience
|
Vol. 1, No. 11 |
1972
|
85
|
|
twist'in\nextra card\nlarry jennings\npineapple twist <i>au natural</i>\nlarry jennings
1972
Larry Jennings
|
Twist'in
|
Variations |
Vol. 1, No. 11 |
1972
|
87
|
|
match-a-matic\nperformer and spectator each take four cards, two mates, rest four aces\nroy walton
1972
Roy Walton
|
Match-a-Matic
|
Vol. 1, No. 11 |
1972
|
88
|
|
etc.\nthree touches\nedward marlo\npre-cannibal cards\nlin searles
1972
Edward Marlo
|
ETC.
|
Inspired by |
Vol. 1, No. 11 |
1972
|
89
|
|
finn change\ncard to bill, pocket card\npeter kane\nfiver!\npeter kane
1972
Peter Kane
|
Finn Change
|
Related to |
Vol. 1, No. 12 |
1972
|
91
|
|
signature rush\nunknown sandwiched card turns out to be later signed selection, four methods\nedward marlo
1972
Edward Marlo
|
Signature Rush
|
Vol. 1, No. 12 |
1972
|
92
|
|
kneet!\ncoin into glass\npete biro\nsecond effect (for two coins)\njohn benzais
1972
Pete Biro
|
Kneet!
|
Related to |
Vol. 1, No. 12 |
1972
|
93
|
|
the zany gaff\ndeck placed on table, covered with handkerchief, selection comes face up to top, magnetic thread gimmick between hands\nmike rogers
1972
Mike Rogers
|
The Zany Gaff
|
Vol. 1, No. 12 |
1972
|
93
|
|
veiled tosheroon\ncoin on deck\njon racherbaumer\nthe zany gaff\nmike rogers
1972
Jon Racherbaumer
|
Veiled Tosheroon
|
Inspired by |
Vol. 1, No. 12 |
1972
|
95
|
|
blind date\nkings and queens place on table alternating by performer and spectator, all suits match\nedward marlo\nmiracle do as i do\nwarren wiersbe
1972
Edward Marlo
|
Blind Date
|
Related to |
Vol. 1, No. 12 |
1972
|
95
|
|