how to tell one what card he seeth in the bottome, when the same card is shuffled into the stocke\ncard peeked, kept under control with jog shuffle and then "forced" (given) to spectator and divined\n unknown\nhow to tell what card he sees on the bottom, when the same card is shuffled into the stock.\n unknown
1584
the discoverie of witchcraft
Unknown
How to tell one what card he seeth in the bottome, when the same card is shuffled into the stocke
card peeked, kept under control with jog shuffle and then "forced" (given) to spectator and divined
classic force\nwith out (dropping some cards and starting again)\n unknown\nhow to make one draw the same or any card you like\n unknown
1584
the discoverie of witchcraft
Unknown
das forcieren der karten oder die gezwungene wahl\nintroduction comments to classic force\nfriedrich w. conradi-horster\ndas forcieren der karten\nfriedrich w. conradi-horster
1895
der zauberspiegel Friedrich W. Conradi-Horster
das forcieren der karten\ncontinuation of description, forcing deck as alternative\nfriedrich w. conradi-horster\ndas forcieren der karten oder die gezwungene wahl\nfriedrich w. conradi-horster
1895
der zauberspiegel Friedrich W. Conradi-Horster
Das Forcieren der Karten
continuation of description, forcing deck as alternative
das forcieren einer karte mit einer hand\n"die kartenschule von carl willmann"
one-handed, force card more exposed\n unknown
1896
die zauberwelt
Unknown
Das Forcieren einer Karte mit einer Hand
"Die Kartenschule von Carl Willmann"
one-handed, force card more exposed
das forcieren der karten\n"die kartenschule von carl willmann"
on the classic force\ncarl willmann\ndas forcieren der karten\ncarl willmann
1896
die zauberwelt Carl Willmann
Das Forcieren der Karten
"Die Kartenschule von Carl Willmann"
on the classic force
das forcieren der karten\n"die kartenschule von carl willmann"
continuation of explanation, importance of wording (take a card vs. choose a card)\ncarl willmann\ndas forcieren der karten\ncarl willmann
1896
die zauberwelt Carl Willmann
Das Forcieren der Karten
"Die Kartenschule von Carl Willmann"
continuation of explanation, importance of wording (take a card vs. choose a card)
das wiederholte forcieren ein und derselben karte\n"die kartenschule von carl willmann"
forcing the same cards to multiple spectators, general card application\n unknown
1896
die zauberwelt
Unknown
Das wiederholte Forcieren ein und derselben Karte
"Die Kartenschule von Carl Willmann"
forcing the same cards to multiple spectators, general card application
new thought card sleights\n- first method (fanning before the spectator's eyes)
- second method (face-up classic force behind back)
- third method (springing from hand to hand)\nwilliam e. robinson\nmethods for determining a card thought of\n unknown
1897
new era card tricks William E. Robinson
New Thought Card Sleights
- First Method (fanning before the spectator's eyes)
- Second Method (face-up classic force behind back)
- Third Method (springing from hand to hand)
ein erhöhter erfolg des forcierens\n"die kartenschule von carl willmann"
out for classic force, getting it down to one of two cards, weird\nc. vogel\ncarl willmann
1898
die zauberwelt C. Vogel, Carl Willmann
Ein erhöhter Erfolg des Forcierens
"Die Kartenschule von Carl Willmann"
out for classic force, getting it down to one of two cards, weird
die aufdrängliche karte\n"ernst erhard", card rises out of cased deck, slit in case, as out for missed classic force\nernst ehrhardt
1904
die zauberwelt Ernst Ehrhardt
Die aufdrängliche Karte
"Ernst Erhard", card rises out of cased deck, slit in case, as out for missed classic force
on forcing\non the classic force, using shuffle instead of pass to centralize card\ngraham adams\nforcing\n unknown
1931
mr. s. w. erdnase — "his book" Graham Adams
On Forcing
on the classic force, using shuffle instead of pass to centralize card
eliminating the pass for forcing\nsetting the card in center
- the "strip" cut
- "sighting"
- shuffling to the centre
- by means of the "in-jog"
- pack cut by spectator
- the "continental" cut\n unknown
1933
farelli's card magic - part one
Unknown
Eliminating the Pass for Forcing
setting the card in center
- The "Strip" Cut
- "Sighting"
- Shuffling to the Centre
- By means of the "In-jog"
- Pack cut by Spectator
- The "Continental" Cut
some "imperfections"\n- closing the fan
- suggesting liberty of choice
- aggressiveness
- exposing on the stage\nvictor farelli
1933
farelli's card magic - part one Victor Farelli
Some "Imperfections"
- Closing the Fan
- Suggesting Liberty of Choice
- Aggressiveness
- Exposing on the Stage
for ready reference, several methods of forcing cards\nfrom annemann's 202 methods of forcing
classic force with subtlety\n unknown
1937
encyclopedia of card tricks
Unknown
For ready Reference, Several Methods of Forcing Cards
from Annemann's 202 Methods of Forcing
classic force with subtlety
resume\nwith other break controls, after peeks and as get ready for the classic force\njean hugard\nfrederick braue
1946
the invisible pass Jean Hugard, Frederick Braue
Resume
with other break controls, after peeks and as get ready for the classic force
how to make one draw the same or any card you like\nrichard kaufman's transcription of reginald scot's card section\n unknown\nclassic force\n unknown
1979
cardmagic
Unknown
how to make one draw the same or any card you like
Richard Kaufman's transcription of Reginald Scot's card section
the classic force\n- technique, handling and structure
- the psychological management of the spectators
- the inner game of the performer
- how to practice the classic force\n unknown
1995
card college - volume 1
Unknown
The Classic Force
- Technique, Handling and Structure
- The Psychological Management of the Spectators
- The Inner Game of the Performer
- How to Practice the Classic Force
outs\nfor the classic force
direct methods:
- the "whoops!" method
- a direct exchange of the x-card for the two of spades
indirect methods:
- the crisscross force
another trick
final observations\nroberto giobbi
1995
card college — volume 1 Roberto Giobbi
Outs
for the classic force
Direct Methods:
- The "Whoops!" Method
- A Direct Exchange of the X-Card for the Two of Spades
Indirect Methods:
- The Crisscross Force
Another Trick
Final Observations
selection foretold\nselection matches in value the prediction-three-of-a-kind, face-up classic force with out\nwilliam goodwin
1997
the ancient empty street William Goodwin
Selection Foretold
selection matches in value the prediction-three-of-a-kind, face-up classic force with out
forcing a card with one hand\nno. 4, a bit more exposed, remembering more cards for safety, subtlety of having an indifferent card even more exposed and avoiding that one\nellis stanyon
1999
ellis stanyon's best card tricks Ellis Stanyon
Forcing a Card with One Hand
No. 4, a bit more exposed, remembering more cards for safety, subtlety of having an indifferent card even more exposed and avoiding that one
how to "force" a card\nno. 2, also mention of doing it one-handed and in tabled spread with card more exposed\nellis stanyon
1999
ellis stanyon's best card tricks Ellis Stanyon
How to "Force" a Card
No. 2, also mention of doing it one-handed and in tabled spread with card more exposed
forcing a card with the "charlier pass" - left hand\nno. 10, top card cut to center and one-handed fan with top card more exposed\nellis stanyon
1999
ellis stanyon's best card tricks Ellis Stanyon
Forcing a Card with the "Charlier Pass" - Left Hand
No. 10, top card cut to center and one-handed fan with top card more exposed
the analysis\nspectator selects three cards and then decides on one, it happens to be the same card as other spectator has chosen before\nchan canasta
2000
chan canasta — a remarkable man Chan Canasta
The Analysis
spectator selects three cards and then decides on one, it happens to be the same card as other spectator has chosen before
how do you do it?\nspectator remembers bottom four cards of shuffled deck, second spectator selects same cards\nchan canasta
2000
chan canasta — a remarkable man Chan Canasta
How Do You Do It?
spectator remembers bottom four cards of shuffled deck, second spectator selects same cards
psychological riffle force and classic force combination\ntwo spectators select the same card\nchan canasta
2000
chan canasta — a remarkable man Chan Canasta
Psychological Riffle Force and Classic Force Combination
demonstration of forcing\nseveral spectators select a card from a different pack, the are all the same\nchan canasta
2000
chan canasta — a remarkable man Chan Canasta
Demonstration of Forcing
several spectators select a card from a different pack, the are all the same
classic force light\nmore or less giving force card to spectator
- original form
- the failsafe classic force
- notes on the classic force\nroberto giobbi
2016
standup card magic Roberto Giobbi
Classic Force Light
more or less giving force card to spectator
- Original Form
- The Failsafe Classic Force
- Notes on the Classic Force
forzaje esp\nthree methods to force an esp card\njoaquín navajas\nmiguel gomez\ncamilo vázquez
2019
monedas personales y más Joaquín Navajas, Miguel Gomez, Camilo Vázquez